If any one member of The Who can be said to be the group’s founding member it is singer Roger Daltrey, who was born in the West London suburb of Shepherd’s Bush on March 1, 1944. Roger first assembled the group that would become the Who in 1961 while at Acton County School, recruiting John Entwistle and subsequently agreeing to John’s proposal that Pete Townshend should join. In those days Roger, whose daytime job was in a sheet metal factory, even made the band’s guitars, and it was his energy and ambition that drove the group during their formative years. That same energy, coupled with his unwavering resolve, has sustained the group during periods of uncertainty ever since.
Roger’s earliest tastes in music ran to the blues and R&B which formed the setlist during their early years as the Detours, as well as Fifties rock’n’roll, which is reflected in his outstanding interpretations of such noted Who covers as ‘Summertime Blues’ and ‘Shakin’ All Over’. In surrendering his leadership of the band to Pete when the latter became the group’s songwriter, Roger became the mouthpiece for Pete’s lyrics and ideas. At the same time he contributed to the group’s sense of showmanship by developing his unique skill at twirling his microphone lead around like a lasso and, by the time of Tommy in 1969, becoming one of rock’s most iconic sex symbols with his golden curls, bare chest and fringed suede coats.
In this respect Roger became Tommy, the deaf dumb and blind boy of Pete’s imagination, and it was therefore only natural that he should assume the role in Ken Russell’s movie adaptation of the rock opera in 1975, for which he received a Golden Globe nomination. This in turn led Roger to develop a concurrent career as a film actor while continuing to sing with the Who. Other film credits over the years include Ken Russell’s Lizstomania, the title role in McVicar, Lightning Jack with Paul Hogan, Teen Agent, and numerous roles in TV dramas. Most recently he appeared in the US CBS TV show C.S.I. – which uses Who songs as theme music – as five separate, differently made-up characters, one of them a middle-aged African-American woman. Other US TV appearances include Lois & Clarke (Superman), Midnight Caller, William Tell, Sliders and Highlander as well as Leprechauns for Celtic Leprechaun Ltd and The Bill, the long running UK TV police drama. He has also narrated a series for the History Channel, undergoing extreme hardships similar to those faced by pioneering settlers in America and elsewhere.
Roger has also cultivated a singing career outside of The Who, beginning in 1973 when he found himself on the BBC’s Top Of The Pops, the UK’s then premier chart TV show, promoting the single ‘Giving It All Away’ which reached number five in the UK charts. It was a track from his first solo album Daltrey, released that same year, which he followed up with the albums Ride A Rock Horse (1975), One Of The Boys (1977), the soundtrack to McVicar (1980), and After The Fire (1985).
Roger has appeared on stage away from the Who on many occasions, and his 1994 solo concert at New York’s Carnegie Hall, with The Juillard Orchestra, was the fastest selling event in the venue’s history. The following year he appeared on stage as The Tin Man in a production of The Wizard Of Oz at The Lincoln Centre, and in 1998 he starred as Scrooge in A Christmas Carol at Madison Square Garden. He has also performed with his friends The Chieftains, the traditional Irish band, and toured the world with the British Rock Symphony interpreting a variety of rock classics.
Since 2000 he has been a patron of the Teenage Cancer Trust, a charity that builds specialised wards for teenagers with cancer in the UK. That year Roger had the idea of setting up the first show at the Royal Albert Hall by ‘The Who & Friends’, with ticket sales and revenue from a DVD and CD raising over £1.2 million, and as a result Roger was given a Humanitarian Award in 2003 from Time magazine. In February 2005, Roger was awarded a CBE by the Queen at Buckingham Palace for his services to music and good causes.
As a member of The Who, Daltrey was inducted in 2005 into the UK Music Hall of Fame. In December 2008, he and Pete Townshend were honoured with America’s most prestigious cultural awards as recipients of the 31st annual Kennedy Center Honors in Washington, D.C. by then-President of the United States, George W. Bush. On 4 March 2009, three days after his 65th birthday, Daltrey accepted the James Joyce Award from the Literary and Historical Society of University College Dublin for outstanding success in the music field. On 12 March 2011, he received the Steiger Award (Germany) for excellence in music. Daltrey and Pete Townshend received the Classic Album Award for Quadrophenia from the Classic Rock Roll of Honour Awards at the Roundhouse, 9 November 2011, in London.
In July 2012, Daltrey received an honorary degree from Middlesex University in recognition of his contributions to music.
Ever pursuing his mission to give something back to teenagers, “without whom,” as he said, “we would have no career”, In November 2010, Roger, with Pete Townshend at his side, launched Teen Cancer America.
On March 24, 2011, Roger and his band gave a complete performance of Tommy at a Teenage Cancer Trust show at the Royal Albert Hall, London, supported by imagery which he commissioned from students of Middlesex University. Over the next year, he toured Tommy in the U.S., Europe and Japan.
Between November 2012 and March 2013, The Who toured an arena production of Quadrophenia + More in the U.S. and U.K. arena tour (with added shows in Paris and Amsterdam) of Quadrophenia. Daltrey directed the staging and visuals of the show himself. The tour received rave reviews from press and fans alike.
Roger now divides his time between working with The Who and with his solo band, as well as continuing to devote a huge amount of his time to Teenage Cancer Trust and Teen Cancer America.
However busy he is with his solo work and charitable endeavours, the group he formed at a Shepherd’s Bush Youth Club at the age of 16 will always be his first love. Even more than his colleagues, it has been Roger who has done his best to keep The Who’s flag flying during those periods when Pete felt the need to seek creative outlets elsewhere, and the respect he has earned from Who fans as a result is something he cherishes deeply.